A foggy park in infrared

Fog, cold, bad light... There are good chances I will be alone in the park. I like that. Infrared might seem to be the best choice with this kind of light.

December 14, 2021

The Samsung WB35F is a noisy, low image quality, tiny sensor compact camera from years ago.

I got one for a few bucks, converted it to 720nm infrared, and I'm quite happy with the distressed rendering.

I wouldn't really use it for pretty things. But for gritty moody images, it's just perfect.

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A walk in the rain before dawn

I hate the rain.

A lonely walk in a dead town

Confinement or no confinement? A dead city is a dead city. Walking here is like walking in a graveyard, tough without the feeling of being in a sacred place.

A walk among the tombstones in black and white

An abandonned old cemetery in the moutain. These are the black and white images.

Morning walk in a quiet world of trees

In a world on the verge of collapse, I took the Nikon D2Xs, the Tokina 10-24 and a graduated filter for a walk.

Lost in a golden forest

I am less and less interested in reality. My photos are less and less meant to depict that reality. I want, I need, my photos to depict what I see, what I feel, and that is not what is commonly accepted as reality. This old golden forest may not be old, or golden, or even a forest. And that doesn't matter.

A walk in Full Spectrum Sepia

A couple weeks ago, I took a full spectrum modified full frame Nikon and a wide angle rectilinear lens for a walk. I shot a TIFF preset I made. No edits, no nothing. Just the photos I shot that day.

Insomnia, boredom, loaded battery, unusual warm weather and the certainty of being totally alone during a stupid pandemic: that can only end in a night walk shooting stuff.

An aimless walk a Sunday morning

Goethe said "The soul that sees beauty may sometimes walk alone". I walked alone, in the hope of finding, if not beauty, something that would catch my eye. Updated from "An aimless walk a sunday morning in a dead city,"

Leica and the fog

Emulating the Tri-X

The T-max 3200 was one of my favorite film, but the TRi-X 400 always was my absolute favorite: I could shoot it from 400 to 3200 (and sometimes more) and always loved the rendering and grain quality.

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